Dimitrij Liebermann is 19 years old, Jewish – and has to apologize. He punched a classmate in the face. What follows is not an apology, but a cinematic broadside against expectations, stereotypes, and everyday racism. Dimitrij speaks directly to the camera, breaking with narrative conventions and taking the audience on a personal journey through the tensions between heritage, memory, and social pressure.

The short film presents its main character as narrator, critic, and victim all at once. It deals with projections of guilt, German culture of remembrance, the attribution of identity, and the ambivalence of being a visible young Jew in Germany. With quick cuts and a satirical tone, the film questions the majority society's need to explain, categorize, or even appropriate Jewish life.

MASEL TOV COCKTAIL by Arkadij Khaet and Mickey Paatzsch combines documentary and fictional elements, working with collages, animations, and quotations. It has been honored with the Grimme Prize, the German Human Rights Film Award, and other awards. Not an explanatory piece, but a pointed contradiction—loud, fast, uncomfortable.